On 10 May 1982, Duran Duran released their second studio album, 'Rio'. The image on the album's distinctive purple cover was painted by artist Patrick Nagel. The cover itself was designed by Malcolm Garrett.
The artistic progression from the band's self-titled debut to the following year's Rio was the greatest aesthetic leap of Duran Duran's career. The group moved from catchy but somewhat rudimentary New Romantic synth-funk to elegantly arranged, sophisticated pop-rock, concentrating more on song structure than dance beats. For their efforts, they were rewarded with superstar status, due chiefly to "Hungry Like the Wolf," a lascivious tune that injects a welcome dose of rock & roll guitar. The most impressive tracks on Rio, though, are the more contemplative, balladic offerings, like "Lonely in Your Nightmare," "Save a Prayer," and especially "The Chauffer," with its stream-of-consciousness lyrics and unconventional structure, arty without seeming pretentious. If you only have one Duran Duran album, it should be Rio.
John Taylor takes credit for the title.
"[It] was something I had thrown into the mix," he recalled in 2012. He was particularly fascinated with the idea of Brazil, and "Rio, to me, was shorthand for the truly foreign, the exotic, a cornucopia of earthly delights, a party that would never stop."
From its Nagel cover to the haircuts and overall design -- and first and foremost the music -- Rio is as representative of the '80s at its best as it gets. The original Duran Duran's high point, and just as likely the band's as a whole, its fusion of style and substance ensures that even two decades after its release it remains as listenable and danceable as ever. The quintet integrates its sound near-perfectly throughout, the John and Roger Taylor rhythm section providing both driving propulsion and subtle pacing. For the latter, consider the lush, semi-tropical sway of "Save a Prayer," or the closing paranoid creep of "The Chauffeur," a descendant of Roxy Music's equally affecting dark groover "The Bogus Man." Andy Taylor's muscular riffs provide fine rock crunch throughout, Rhodes' synth wash adds perfect sheen, and Le Bon tops it off with sometimes overly cryptic lyrics that still always sound just fine in context, courtesy of his strong delivery. Rio's two biggest smashes burst open the door in America for the New Romantic/synth rock crossover. "Hungry Like the Wolf" blended a tight, guitar-heavy groove with electronic production and a series of instant hooks, while the title track was even more anthemic, with a great sax break from guest Andy Hamilton adding to the soaring atmosphere. Lesser known cuts like "Lonely in Your Nightmare" and "Last Chance on the Stairway" still have pop thrills a-plenty, while "Hold Back the Rain" is the sleeper hit on Rio, an invigorating blast of feedback, keyboards and beat that doesn't let up. From start to finish, a great album that has outlasted its era.
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