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[喇叭] 轉載: Audiolife Nano Sub Q8

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發表於 2013-11-30 22:30:22 | 顯示全部樓層
簡單,,薄型設計,,我喜歡
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發表於 2013-11-30 23:59:10 | 顯示全部樓層
外形靚仔,貴啲都抵!
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發表於 2013-12-1 01:44:09 | 顯示全部樓層
本帖最後由 auraheart 於 2013-12-1 02:10 編輯
柒喜 發表於 2013-11-30 21:15
不能跟sunfire相提並論,就算同級既都o切低佢


They both toy subs..hehe   My sub suppose to be down to 20hz, according to specs, but I never believe it....lol..even a very good sub.
Today's drivers...I hardly see die cast aluminum frame, or at least they don't advertise it or painted them black...if not...maybe not as well build due to cost.  It used to be massive and found even on average speakers..
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發表於 2013-12-1 07:04:56 | 顯示全部樓層
柒喜 發表於 2013-11-30 21:10
所以以英文為準subwoofer

auxiliary woofer should be the word for 輔助低音喇叭
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 樓主| 發表於 2013-12-1 08:12:20 | 顯示全部樓層
auraheart 發表於 2013-12-1 07:04
auxiliary woofer should be the word for 輔助低音喇叭

咁就要提提MK Sound既Ken Kreisel
The very first subwoofer enclosure made for home and studio use was the separate bass speaker for the Servo Statik 1, by New Technology Enterprises.[6] Designed as a prototype in 1966 by physicist Arnold Nudell and airline pilot Cary Christie in Nudell's garage, the design used a second winding around a custom Cerwin Vega 18-inch driver to provide servo control information to the amplifier, and it was offered for sale at $1795, some 40% more expensive than any other complete loudspeaker listed at Stereo Review.[6] In 1968, the two found outside investment and reorganized as Infinity.[6] The subwoofer was reviewed positively in Stereophile magazine's Winter 1968 issue as the SS-1 by Infinity. The SS-1 was reviewed very highly in 1970 by High Fidelity magazine.[6]

One of the first subwoofers was developed during the late 1960s by Ken Kreisel, the former president of the Miller & Kreisel Sound Corporation in Los Angeles. When Kreisel's business partner, Jonas Miller, who owned a high-end audio store in Los Angeles, told Kreisel that some purchasers of the store's high-end electrostatic speakers had complained about a lack of bass response in the electrostatics, Kreisel designed a powered woofer that would reproduce only those frequencies that were too low for the electrostatic speakers to convey.[7] Infinity's full range electrostatic speaker system that was developed during the 1960s also used a woofer to cover the lower frequency range that its electrostatic arrays did not handle adequately.

The first use of a subwoofer in a recording session was in 1973 for mixing the Steely Dan album Pretzel Logic when recording engineer Roger Nichols arranged for Kreisel to bring a prototype of his subwoofer to Village Recorders.[8] Further design modifications were made by Kreisel over the next ten years, and in the 1970s and 1980s by engineer John P. D'Arcy; record producer Daniel Levitin served as a consultant and "golden ears" for the design of the crossover network (used to partition the frequency spectrum so that the subwoofer would not attempt to reproduce frequencies too high for its effective range, and so that the main speakers would not need to handle frequencies too low for their effective range).

Subwoofers received a great deal of publicity in 1974 with the movie Earthquake which was released in Sensurround. Initially installed in 17 U.S. theaters, the Sensurround system used large subwoofers which were driven by racks of 500 watt amplifiers which were triggered by control tones printed on one of the audio tracks on the film. Four of the subwoofers were positioned in front of the audience under (or behind) the film screen and two more were placed together at the rear of the audience on a platform. Powerful noise energy in the range of 17 Hz to 120 Hz was generated at the level of 110–120 decibels of sound pressure level, abbreviated dB(SPL). The new low frequency entertainment method helped the film become a box office success. More Sensurround systems were assembled and installed. By 1976 there were almost 300 Sensurround systems leapfrogging through select theaters. Other films to use the effect include the WW II naval battle epic Midway in 1976 and Rollercoaster in 1977
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發表於 2013-12-1 08:17:20 | 顯示全部樓層
it must be expensive
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發表於 2013-12-1 08:21:56 | 顯示全部樓層
本帖最後由 auraheart 於 2013-12-1 08:30 編輯
柒喜 發表於 2013-12-1 08:12
咁就要提提MK Sound既Ken Kreisel
The very first subwoofer enclosure made for home and studio ...


You must be bored in Taiwan .  Thanks for the headz up..
I was simply saying what I think the proper word is...
I can't stop laughing "伴虎遊台中"... instead of white tiger in SZ..
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 樓主| 發表於 2013-12-1 08:36:39 | 顯示全部樓層
auraheart 發表於 2013-12-1 08:21
You must be bored in Taiwan .  Thanks for the headz up..
I was simply saying what I think t ...

剛係酒店吃完早餐,上房休息陣先出去。悶就都唔會太悶既,四圍影下相食下野唔錯
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發表於 2013-12-1 08:39:41 | 顯示全部樓層
柒喜 發表於 2013-12-1 08:36
剛係酒店吃完早餐,上房休息陣先出去。悶就都唔會太悶既,四圍影下相食下野唔錯

Taiwan expensive?  MM cute? I would love eat those street foods in TW....I love Taiwan beef noodles..
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發表於 2013-12-1 08:44:49 | 顯示全部樓層
柒喜 發表於 2013-11-30 21:16
絕不高檔,價錢偏高

原來如此
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發表於 2013-12-1 12:40:30 | 顯示全部樓層
auraheart 發表於 2013-11-30 00:57
價格算高, 一定不正...Not good for hi fi.. but looks very nice..maybe good for AV.
Why? Smal ...

多謝師兄指正。
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發表於 2013-12-1 13:13:24 | 顯示全部樓層
pokerusa 發表於 2013-12-1 12:40
多謝師兄指正。

You're welcome..
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發表於 2013-12-1 15:54:36 | 顯示全部樓層
官仔骨骨咁
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發表於 2013-12-2 16:17:36 | 顯示全部樓層
外型唔錯,價錢太高
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 樓主| 發表於 2013-12-3 22:09:33 | 顯示全部樓層
andyy 發表於 2013-12-2 16:17
外型唔錯,價錢太高

直情當人係羊古
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發表於 2013-12-4 09:58:41 | 顯示全部樓層
設計新穎....很高檔貨
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 樓主| 發表於 2013-12-4 10:26:35 | 顯示全部樓層
141Boss 發表於 2013-12-4 09:58
設計新穎....很高檔貨

台灣貨太貴
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發表於 2013-12-4 15:45:32 | 顯示全部樓層
買唔起, 但想試聽
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